These ancient folk songs, inscribed in the Representative List of the Intangible Cultural Heritage of Humanity by UNESCO in 2014, represent far more than simple melodies. They are the breath and soul of this land and its people. Yet today, these precious musical traditions stand at a crossroads, threatened by the rapid pace of modern life.
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Nghe An students confidently perform Vi and Giam folk songs on stage. |
Over the past four years, Nghe An has operated classes teaching Vi and Giam folk songs to talented students at primary and secondary schools. The current 36 students from 130 communes and wards across the province were chosen for their genuine passion and natural aptitude for folk music.
With dedicated guidance from artists and experienced educators, the kids have better insights into a rich repertoire of traditional and adapted folk styles, from Vi phuong vai Truong Luu, Vi do dua song Lam, and Giam ve to newly-composed melodies like Hat khuyen, Tu hoa, and Xam thap an.
Musician Tran Quoc Trung, Director of the province’s traditional art center, said that it is incredible to see the children mastering such emotionally and technically complicated works in a short time, stating their stellar performances are not only a testament to their talent but also a sign of a bright future for traditional art.
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After only a short period of training, the students confidently deliver performances requiring high levels of techniques. |
The preservation of Vi and Giam extends beyond mere archival work to active promotion in contemporary life. Within communities, dedicated artisans have passed on the folk songs to younger generations.
People’s Artisan Vo Thi Hong Van, head of the Ngoc Son Vi - Giam folk singing club in Xuan Lam commune, has run classes for children aged from ten-years-old to teenagers, who can skillfully sing many melodies after 10 - 15 lessons thanks to their love for folk music and fondness for learning. Van has also collected original melodies, studied traditional instruments, and staged performances for the participants.
Schools across Nghe An have also incorporated folk singing into extracurricular activities, while local singing clubs hold regular rehearsals, performances, and exchange events to keep the art alive. Besides, the province has organized multiple festivals and competitions, creating a venue for clubs and art troupes to share experience.
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Nghe An province launches classes to teach Vi and Giam folk songs to talented students at local primary and secondary schools. |
Meanwhile, the province’s traditional art center has adopted multiple solutions to preserve the traditional art, with researchers and collectors documenting melodies and lyrics in written form while digitalizing the art through audio and video recordings. It is also capitalizing on social networks to further popularize Vi and Giam among the public, especially the young, head of its research and collection division Ta Duong said.
Deputy Director of the provincial Department of Culture, Sports and Tourism Quach Thi Cuong noted that the sector is working out a specific roadmap to develop Vi and Giam folk songs into a tourism product to spread the value of this unique heritage.
Source: VNA