A series of exhibitions, diverse in materials and perspectives, not only celebrate the zodiac animal of the year but also invite visitors on a journey into the cultural, historical and artistic depth associated with this familiar motif.
“Ma Dao” exhibition – Spring colours by Hoan Kiem Lake
In the early days of the New Year, the Hoan Kiem Lake area has become a vibrant cultural rendezvous with the “Ma Dao” exhibition, running from January 19 to February 28 and attracting large numbers of residents and visitors alike. The artworks on display blend folk-inspired materials with a contemporary artistic spirit, creating a space that feels both familiar and refreshingly new.
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Children enjoy the “Horses come to the city” exhibition at the Temple of Literature in Hanoi. |
Drawing inspiration from the horse – an animal long intertwined with Vietnamese history and spiritual life, the exhibition traces the journey of the “noble steed” through multiple lenses, from legend and belief to trade and social development. In folk consciousness, the horse is not merely a means of transport or a companion in labour and warfare, but also a symbol of wisdom, loyalty and endurance. It is for this reason that the New Year greeting “Ma dao thanh cong” (May success arrive with the horse) has long conveyed hopes for good fortune and smooth progress.
Featuring 31 works, the exhibition presents each painting as a distinct cultural narrative, collectively portraying the horse as a symbol that is both deeply rooted in everyday life and rich in artistic meaning.
“Long Ma Khai Van” – Myth and cultural transformation
While “Ma Dao” celebrates the pure image of the horse, the exhibition themed “Long Ma Khai Van” at the Hanoi Museum (from February 3 to March 2) leads visitors into a mythical realm where the horse merges with the dragon to form a more exalted creature. Open free of charge throughout the Lunar New Year holiday, the exhibition has quickly become an attractive destination for visitors of all ages.
Rooted in East Asian culture, Long Ma (Dragon Horse) represents a harmonious union of the dragon’s sacred power and the horse’s resilience and loyalty. When introduced into Vietnam, this image underwent cultural adaptation, acquiring distinct local nuances and becoming a symbol of wisdom, longevity, peace and prosperity. Today, Long Ma is still present in traditional architectural works such as communal houses, temples, shrines and mausoleums, as well as in traditional ceramics, notably the Chu Dau pottery.
Held on the first floor of the Hanoi Museum, the exhibition showcases more than 100 documents, artefacts and artworks, offering visitors deeper insights into the origins, meanings and enduring presence of this mythical creature in Vietnamese culture.
“Horses come to the city” – Breath of highlands in heritage space
Another notable artistic highlight is the sculpture exhibition “Horses come to the city” at the Temple of Literature, held from January 8 through the end of March. Beneath the moss-covered tiled roofs of this millennium-old heritage site, sculptural works depicting horses in a free-spirited style inspired by the Central Highlands create a compelling dialogue between tradition and modernity.
As a symbol of learning and cultural depth in Thang Long – Hanoi, the Temple of Literature provides a meaningful backdrop for these unique sculptures. Rather than disrupting the site’s solemn atmosphere, the contemporary horse figures inject new vitality into the space. Long familiar in Vietnamese history and spirituality, the horse is here rendered through bold lines and rustic materials, evoking the freedom and expansiveness of the highlands.
The exhibition’s distinctive appeal lies in its cultural interplay. Within the tranquil heritage setting, contemporary artworks emerge as bridges connecting the past and present. Visitors are able not only to tour and admire, but also to experience art in a more accessible and dynamic way. For younger visitors in particular, the display offers an opportunity to engage with heritage through a modern artistic language, fostering a natural sense of interest and attachment to traditional values.
From a broader perspective, “Horses come to the city” demonstrates that contemporary art can harmonise seamlessly with heritage spaces. Historic sites need not exist solely in a static state of preservation, but can also “live” within today’s cultural life through appropriately curated creative activities.
Three exhibitions, three distinct approaches, yet all converge in celebrating the horse as a vibrant cultural symbol. From folk-inspired paintings to mythical creatures, from contemporary sculptures to museum and heritage settings, the image of the horse emerges in multiple dimensions, both traditional and innovative. In the spring of the Year of the Horse, these artistic encounters not only enrich Hanoi’s cultural landscape but also inspire a sense of pride in the enduring cultural continuum of the nation.
Source: VNA